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Kodak Films

Kodak offers a wide variety of products, spanning the entire motion picture value chain from image capture to post, on through distribution/exhibition and archival applications.

The advanced technology of KODAK VISION3 motion picture film provides the highest degree of image quality and creative flexibility, in addition to our family of KODAK VISION2 motion picture films
In post, we offer both film and digital products such as Eastman Color Intermediate film, sound film, digital image correction and enhancement tools (D-ICE) and color and image science software and algorithms
Kodak has both film and digital solutions for distribution and display of content, including print film and digital cinema
We offer a full portfolio of films for our archival customers

KODAK VISION 3 200T

Color Negative Film 5213/7213
The KODAK VISION3 Film family has raised the bar for high-definition capture with unrivaled highlight latitude, reduced grain in shadows, flexibility in post, and, of course, proven archival stability. Now, with the addition of KODAK VISION3 200T Color Negative Film 5213/7213, we've developed a film that performs superbly in both controlled interiors and in challenging high-contrast exteriors.

VISION3 200T is a 200-speed tungsten film that provides the image structure of a 100 speed film with the versatility of a 200 speed product - offering you the benefits of two films in one.

Experience the improved extreme exposure performance and consistent VISION3 Film family look. Enjoy the added flexibility and increased creative control that comes with all the detail captured in the extremes of exposure. Benefit from the value in time and money that can be realized both on set and in postproduction.

With the addition of KODAK VISION3 200T to the VISION3 Film family, we have once again proven the value, possibilities, and power of film. It's time to look forward to the future with more options and no compromise.

KODAK VISION 3 500T

Color Negative Film 5219/7219
It is everything you love about KODAK VISION2 Films-the overall look, the image structure- with a host of added improvements. Advantages from capture through post. Gain more control and flexibility at every phase of the filmmaking process-in both digital and traditional workflows. Less grain in low light. Advanced Dye Layering Technology (DLT) delivers reduced grain in shadows and higher signal-to-noise ratios when scanning low-light scenes. Extended highlight latitude. Gives you greater flexibility when lighting extreme situations, and lets you pull even more detail out of highlights. Whether you're behind the camera or in the postproduction suite, you can bring your project to life as never before. KODAK VISION3 500T Film. Your vision is continually evolving. Ours is, too.

KODAK VISION 3 250D

Color Negative Film 5207/7207
First it set a new standard in filmmaking. Now the VISION3 Film platform takes another leap forward with KODAK VISION3 250D Film - a medium-speed daylight-balanced emulsion that incorporates all the remarkable performance attributes of KODAK VISION3 500T Color Negative Film. Capture more detail in the highlights: VISION3 Films offer extended highlight latitude, revealing more detail in the extremes, letting you move faster on the set and pull more detail out of high exposure areas in post. See reduced grain in low light: Our Advanced Dye Layering Technology (DLT) allows you to push the boundaries of exposure and still get outstanding results. Get the best of film and digital post: Go into post with the outstanding latitude of VISION3 Films and take full advantage of the control and flexibility of the digital intermediate process. No upgrades required.: With KODAK VISION3 250D Film you get state-of-the-art image quality, greater flexibility on set, seamless integration with the DI workflow and the proven, long-term archival capabilities only film provides.

KODAK VISION 2 50D

Color Negative Film 5201 / 7201
It is a low-speed daylight film with an expansive dynamic range that delivers more detail in shadow areas - even in high contrast situations. Advances in grain and sharpness - found in all VISION2 Films - make it ideal for recorder output and provide an ultra-clean, detailed image in any lighting condition. KODAK VISION2 50D is the latest addition to the VISION2 Film family - a lineup of films created specifically for both film and digital postproduction. All VISION2 Films offer excellent tone scale and flesh-to-neutral reproduction while maintaining neutrality through the full range of exposures.

KODAK VISION 2 100T

Color Negative Film 5212 / 7212
It is the sharpest color negative motion picture film. With excellent flexibility and extremely fine grain, VISION2 100T Film offers clean and crisp images. And now, 100T Film also includes superior VFX capabilities. So you can shoot all your scenes for digital compositing on the same stock. The VISION2 Film family is the first line of products created specifically for both film and digital postproduction. WhatÕs more, all VISION2 Films provide excellent tone scale and flesh-to-neutral reproduction. With superior shadow and highlight detail and very fine grain. VISION2 Films also maintain neutrality through the full range of exposure. So you can convey exactly the look you intended all the way from capture to post.

KODAK VISION 2 200T

Color Negative Film 5217 / 7217
It is highly versatile and reliable. Offering excellent image structure under a wide variety of lighting conditions. And now 200T Film also enables you to shoot all scenes for digital compositing on the same stock. Giving you pristine edges and making VFX easier and more seamless than ever. The VISION2 film family is the first line of products created specifically for both film and digital postproduction. What's more, all VISION2 Films provide excellent tone scale and flesh-to-neutral reproduction. With superior shadow and highlight detail and very fine grain. VISION2 Films also maintain neutrality through the full range of exposure. So you can convey exactly the look you intended all the way from capture to post.

KODAK

Now you have a 100-speed color reversal motion picture film designed for daylight. Whether you're shooting ads, music videos, documentaries, television, or features, it delivers intensely saturated color, plus a neutral gray scale and accurate skin tones. All with a sharpness you won't find in any other 100-speed reversal film.

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Media

VIDEO MEDIA

From HDV to HDCAM SR, DV to DVCPRO to D5. Every legacy Analog $ Digital Format in between. (sony, Panasonic, Maxell, TDK)

 

 

DATA MEDIA

AIT, Blue Ray, CDR, DLT, DLTS4, DDS, DAT72, DTF, DVDR, LTO, PD, SDLT, SAIT, T1000, VXA, 3590, 3592, 9840, 9940
(Sony, Maxell, Panasonic, Falcon Media, Line 1 MEdia, TDK and numerous others)

 

 

STORAGE

Hard Disk, optical $ tape drives for just about every camera and application. (Sony, Gtech, Lacie and more)

 

 

NEW & CERTIFIED TAPES

Hand Inspected, cosmetically restored. Erased with a most powerful magnet. Checked from end-to.end using specially designed test equipment.
Same gear used in original manufacturing. Tape imperfections are measured, drop-out counts confirmed.Brands for new tapes: Sony, Panasonic, Maxell, Fuji and Line 1 Media. MD Certified Tapes.

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Equipment

USED CAMERAS 35mm.

ARRI 535B CAMERA PACKAGE PL MOUNT

Camera has , PL cap, throat cover, Power cable, carry handle Super Wide angle eyepiece,  TV Ground glass, IVS Color video assist and power cables,handgrip with On/Off switch,  2 - 400ft magazines, Power Cable, 2 - 1000ft magazines with loop protector,19mm Bridge plate with 19mm X 9" support rods and cases.

 

ARRI 435 ES CAMERA PACKAGE PL MOUNT

Turret & throat covers, carry handle. Super Wide angle eyepiece, TV Ground glass, Set of Format Mask, FE-3 Viewfinder Ext 2X Leveling rod, IVS 435 w/CCD + lens, RCU-1 , KC-39 Cable, (3) 400 Ft. mags. (1) 1000 Ft. mags. 6 Ft. power cables, Arri FF-3 Follow Focus with left & right handle, ext. and prime lens gear 19mm Complete Bridge plate with 19mm X 9" support rods, mags. & camera case.


ARRI BL-III CAMERA PACKAGE PL MOUNT

Includes Arri Follow Focus Matte box, 3 x 1000ft mags, 2 x 400ft mags, Sony B&W tap.

 

 

ARRI BL-IV CAMERA PACKAGE PL MOUNT

Includes Arri Follow Focus Matte box, sliding bridge plate, 2 x 1000ft mags, 2 x 400ft mags,
handgrip, B&W  CEI Video Assist, Speed control, Power cable & cases.

USED CAMERAS 16/S16mm

ARRI SRII SUPER 16mm

 PL/MT Gray color. 2/400ft Magazines w/dust covers, Cinematography Electronics Speed control with Glow Black & White Video Assist,  Hand grip, Super 16 Ground glass, Power cable,Equipment case. P&S conversion.

 

 

AATON CAMERA S/N-C1426

PL Mount, Super 16mm, Ground Glass 16/Super 16mm. Mag port cover and PL mount cover, Extension Viewfinder. Hand grip On/Off switch, LW Support rod system, Time code cable. Video assist system with XC-999 Color camera, Video Assist power cable (3) 400ft magazines s/n-M5161, s/n-M3325, s/n-M3308. All magazines have rubber end protective cover, One Mag Barne Abel triple Battery charger, (3) on board batteries.

LOWCAM HIGH SPEED 16mm CAMERA MODEL #164

 With 12-120mm Angenieus lens & power cable

 

 

LUMA TITANIUM TRIPODS

The tubing is made of Titanium, one of the strongest, lightest materials known to man. Not only are they dent proof, but they can never corrode, oxidize, or rust. These all new tripod legs feature lightened aluminum casting that have been structurally designed to be not only lighter, but stronger, and less subject to torque. The top casting has the addition of two additional key ways for  locating of the head. The new locking mechanism is easily removable for cleaning and lubrication plus an accessible rear cap provides additional ease in lubrication.

CAMERA ACCESSORIES

Please contact us with your camera needs, and we will build a package to suit.

Matte Boxes
Sliding Bridge Plates
Support Rods
Light Weight Support System
Eyepiece Chamois
Extension Viewfinders
Director's Viewfinder MK-Vb & others
Film Changing gear
Light Meters
Tripod Front Boxes
Electronic Slates
Color Slates
Lightweight Follow Focus
Studio Follow Focus
Microforce Control Systems
Wireless Focus Systems
Video Assist for most cameras
Video Assist monitors
Video Assit transmitters
Film Magazines 400/1000ft
Power Cables 12V & 24 Volt
Batteries
Camera Filters

Lens Mounts Adapters
Wide Angle Converters & Adapters
Time Lapse Systems
Geared Tilt Plates
Rocker Plates
Lens Shades
Jib Arms
Camera Support Systems
Equipment Cases
Kodak Color Separation Guide with
Gray Scale

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Expendables

Please contact us for pricing and availability.

Beseler Dust Gun

Black Masking Tape 1" & 2"

 

Cotech U.S.A.
Color Correction Filters

Cam-Lock connectors

Ditty Bags

ATG Tape 1⁄2"
& 3/4"

Do Not X-Ray Tape

Dulling Spray

Dust-Off Products

Film Warning Tape

FoamCore 48" x 96" by 3/16" B&W

Fog Machine Fluid

B-Board Silver/White
G.E. Lamps

Kimwipes Lens Cleaning Tissue

Duvetyn "Comando Cloth"

Kodak Color & Gray Sale (large/small)

Kodak Gray Card

Kodak Lens Cleaning Tissue

Kodak Foto Chamois
Wolfram HMI Lamps

Lee Color Correction Filter

LeMaitre Special Effects
Osram Sylvania Lamps

Pancro Lens Cleaner

Permacel Gaffer and Camera Tape

Rip Tie

Sony Video Tapes

Trengove Special Effects

Trico Clamps
Union Connectors /same as Bates Connetors

SMS Connectors

Viewfinder Chamois Cover

SLI Lamps

Keson Fiber glass measuring tapes ft & mts

         

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Lenses

Please contact us for pricing and availability. Pricing and availability is subject to change without notice.

LENSES -16mm & 35mm
(new & used)

Used Shift & Tilt Bellows system with the following lenses. 18mm, 20mm, 24mm, 28mm, 35mm, 45mm, 60mm, 80mm, 90mm 110mm,150mm

Canon 150-600mm T5.6 series 2000 PL/MT with lens case. Lens 15mm support 

 

Zeiss 11-110mm T2.2 PL mount Super 16mm 
Zeiss 10-100mm T2 Bayo mount like new
Illumina 11-110mm T2.2 PL mount 16/Super 16 format
Angenieux Zoom lens 12-120mm T2.5 Bayo mount. In new condition
Angenieux Zoom lens 10-150mm T2.3 Cameflex mount
Angenieux Zoom lens 9.5-57mm T1.6 Cmeflex mount
Century 3.5mm T1.8 B mount
Angenieux 5.9mm T1.9 B mount
Zeiss 8mm T2.1lens PL mount
35mm Format Lenses
Used: Zeiss Ultra Primes
10mm, 12mm, 14mm, 16mm, 20mm, 24mm, 28mm, 32mm,
40mm, 50mm, 65mm, 85mm, 100mm, 135mm
Nikkor 8mm T2.8 PL mount Century Conversion
"Like NEW condition"
Kinoptik 9.8mm T2.3 PL mount 35/F
Zeiss 14mm T2 PL mount
Cooke 18mm T2.2 PL mount
Zeiss 40mm T2.1 PL mount

Kilfit 90mm Macro Arri Std. mount or with PL Mount
Photographic Zeiss 60 Macro lens modified for Film use PL mount
 Used Shift & Tilt Bellows system with the following lenses
18mm,20mm,24mm,28mm,35mm,45mm,60mm,80mm,90mm
110mm,150mm
Canon 150-600mm T5.6 series 2000 PL/MT with lens case
Lens 15mm support 
Canon 600mm T4.5 Telephoto PL mount, with case Cooke Zoom 20-100mm T3.1 PL mount, Support mount clamping ring, support bracket and case
 Nikkor 200mm T2 Century conversion PL mount in excellent condition
Zeiss 300mm T3 Century conversion PL mount in excellent condition
Optika 25-80mm T3.4 PL mount 35mm F in excellent condition, include 2 close up lenses
zoom stick and screw in sunshade
Universal PL mount (new)
Lens Mount Adapters from Bayo/Standard to PL (new)

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Lighting

Please contact us for pricing and availability.

BUTTERFLY
DOTS
FINGERS
 ALUMINUM GEL FRAMES
FABRIC SPECIFICATIONS
OVERHEADS
ZIPPERED SANDBAGS
SHOT BAGS

SANDBAGS
SOLID FRAMES & SCRIMS         
FLAGS, CUTTERS & FLOPPIES
OPEN ENDS

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305 441 2258
E-mail:
hmc@hmcfilms.com


New Website Launch June 2010
New HMC Products